Like this list? Join my Google Group to get my weekly Toronto indie music listings. Or, the Facebook group. Subscribe to my weekly podcast (or download the episodes) here, or through iTunes. Or just listen to the latest one, and all the other ones, at Zygiella. Make sure to check the rest of my blog for show reviews and photos, giveaways, and downloads.
Welcome to my weekly roundup of inexpensive indie(ish) musical happenings in downtown Toronto, all for $10 or less. If I'm missing something you think I should list, or you have any comments, let me know. I star (*) shows that most interest me.
This weekend I took in the Over the Top Festival. From start to finish, I saw: Ghost Bees, Timber Timbre, The Ghost is Dancing, Clues, Woods (in-store), Bayonets, Tune-Yards, Think About Life, Oh No Forest Fires, Five Blank Pages, Tiny Masters of Today, The Guest Bedroom, The Budos Band, and Green Go. I could conceivably have seen a few more acts, and I suspect some people did. Still, that’s a lot of music. I’ll post a full recap and review of the festival on my blog soon.
Sunday night I was out again, this time for a special edition of Wavelength at Sneaky Dee’s, my favourite venue. Remember Toronto II featured the reunion (sort of) of four bands that owned the scene in the 1990s and early 2000s: Grasshopper, The Electric Shoes, Katrocket, and Doc Pickles’ band. All the acts were good, and different, and though Grasshopper’s Derek Madison hurled himself, his guitar, and other stuff around stage, and birthday boy Jonny Dovercourt was on-stage screaming during the closer, “Neptune,” my favourite act was Steve Heyerdahl’s Electric Shoes. The crowd was a chunk of years older than I’ve come to expect on Sunday night, and the place was pretty busy, full of nostalgia and old friends reconnecting. I didn’t know these bands back in the day, but the excitement of the evening was infectious. A fun night. And thank goodness for earplugs.
Monday night I got word that Rock Plaza Central was doing an intimate performance at midnight at the Tranzac’s front room. A few minutes into the release day of their new album, the 6-piece band played an hour-long (at least) set to no more than 25 audience members. Yawd Sylvester joined them on piano for a couple songs. Near the end of the show, the band’s drummer punk-rocked it out, bashing his cymbals to the ground, swearing at his bandmates (in jest, of course), and leaving them to play on. Quite the rousing set by what is essentially a literary folk-rock ensemble. It felt special to be there. Or “magical,” as Chris Eaton, the band’s front-man, put it.
This week I'm recommending the Pitter Patter Music Festival, happening at various venues in Toronto (and 7 other Ontario cities) Thursday through Sunday. I'll be at Rancho Relaxo on Friday night, Sneaky Dee's on Saturday, and The Rearview Mirror in Kensington Market on Sunday (running the door; come say hello!). And I will likely be other places, too. You know me: I love show-hopping when I can afford it. The PPMF is all pwyc, so it's totally affordable. For all the details, see the festival website.
For the full listings, see my blog post.
No comments:
Post a Comment